-
1 citharistria
citharistria ae, f, κιτηαρίστρια, a female player on the cithara, T.* * *cithara/lyre player (female) -
2 psaltria
psaltria ae, f, ψάλτρια, a female player on the cithara, lutist, T., C., Iu.* * * -
3 scaenica
scaenĭcus ( scen-), a, um, adj., = skênikos, of or belonging to the stage, scenic, dramatic, theatrical (class.).I.Lit.:B.poëtae,
dramatic poets, Varr. L. L. 9, § 17 Müll.:artifices,
players, actors, Cic. Arch. 5, 10; Suet. Caes. 84:actores,
Quint. 6, 1, 26; 11, 3, 4: ludi, stage-plays, theatrical representations, in a gen. sense (opp. to games of wrestling, racing, etc.), Liv. 7, 2; 31, 4; 34, 54; Ter. Hec. prol. alt. 37; Suet. Calig. 26; id. Ner. 11; cf.operae (with gladiatoriae),
id. Aug. 43:fabula,
a drama, Amm. 28, 1, 4:organa,
Suet. Ner. 44:coronae,
id. ib. 53:habitus,
id. ib. 38:gestus,
Cic. de Or. 3, 59, 220:modulatio,
Quint. 11, 3, 57:venustas,
Cic. de Or. 3, 8, 30:decor quidam,
Quint. 2, 10, 13:dicacitas (with scurrilis),
id. 6, 3, 29:fortuna dubia, Ter. Hec. prol. alt. 8: adulteria,
represented on the stage, Ov. Tr. 2, 514.—In the neutr.:quin etiam, quod est inprimis frivolum ac scaenicum, verbum petant (declamatores), quo incipiant,
Quint. 10, 7, 21:nihil scaenicum apud Graecos pudori est,
Liv. 24, 24; cf., with a subject-clause:complodere manus scaenicum est et pectus caedere,
Quint. 11, 3, 123.—Substt.1.scaē-nĭcus, i, m., a player, actor, Cic. Off. 1, 31, 114:2. * II.orator plurimum aberit a scaenico (with comoedi),
Quint. 1, 11, 3; Suet. Ner. 42 fin. — Plur., Cic. Planc. 12, 30; id. Verr. 2, 3, 79, § 184; Quint. 11, 3, 158; Suet. Tib. 34; id. Ner. 11; 21 et saep.—As a term of reproach applied to Nero (on account of his passion for the stage), a stage-hero, Tac. A. 15, 59.—Transf. (opp. to real, true, actual), fictitious, pretended:populus Romanus, invictus a veris regibus, ab illo imaginario et scaenico rege (sc. Andrisco) superatur,
by that theatrical king, Flor. 2, 14, 4.—* Adv.: scaenĭcē, theatrically, after the manner of players:cum aliqua velut scaenice fiunt,
Quint. 6, 1, 38. -
4 scaenicus
scaenĭcus ( scen-), a, um, adj., = skênikos, of or belonging to the stage, scenic, dramatic, theatrical (class.).I.Lit.:B.poëtae,
dramatic poets, Varr. L. L. 9, § 17 Müll.:artifices,
players, actors, Cic. Arch. 5, 10; Suet. Caes. 84:actores,
Quint. 6, 1, 26; 11, 3, 4: ludi, stage-plays, theatrical representations, in a gen. sense (opp. to games of wrestling, racing, etc.), Liv. 7, 2; 31, 4; 34, 54; Ter. Hec. prol. alt. 37; Suet. Calig. 26; id. Ner. 11; cf.operae (with gladiatoriae),
id. Aug. 43:fabula,
a drama, Amm. 28, 1, 4:organa,
Suet. Ner. 44:coronae,
id. ib. 53:habitus,
id. ib. 38:gestus,
Cic. de Or. 3, 59, 220:modulatio,
Quint. 11, 3, 57:venustas,
Cic. de Or. 3, 8, 30:decor quidam,
Quint. 2, 10, 13:dicacitas (with scurrilis),
id. 6, 3, 29:fortuna dubia, Ter. Hec. prol. alt. 8: adulteria,
represented on the stage, Ov. Tr. 2, 514.—In the neutr.:quin etiam, quod est inprimis frivolum ac scaenicum, verbum petant (declamatores), quo incipiant,
Quint. 10, 7, 21:nihil scaenicum apud Graecos pudori est,
Liv. 24, 24; cf., with a subject-clause:complodere manus scaenicum est et pectus caedere,
Quint. 11, 3, 123.—Substt.1.scaē-nĭcus, i, m., a player, actor, Cic. Off. 1, 31, 114:2. * II.orator plurimum aberit a scaenico (with comoedi),
Quint. 1, 11, 3; Suet. Ner. 42 fin. — Plur., Cic. Planc. 12, 30; id. Verr. 2, 3, 79, § 184; Quint. 11, 3, 158; Suet. Tib. 34; id. Ner. 11; 21 et saep.—As a term of reproach applied to Nero (on account of his passion for the stage), a stage-hero, Tac. A. 15, 59.—Transf. (opp. to real, true, actual), fictitious, pretended:populus Romanus, invictus a veris regibus, ab illo imaginario et scaenico rege (sc. Andrisco) superatur,
by that theatrical king, Flor. 2, 14, 4.—* Adv.: scaenĭcē, theatrically, after the manner of players:cum aliqua velut scaenice fiunt,
Quint. 6, 1, 38. -
5 scenicus
scaenĭcus ( scen-), a, um, adj., = skênikos, of or belonging to the stage, scenic, dramatic, theatrical (class.).I.Lit.:B.poëtae,
dramatic poets, Varr. L. L. 9, § 17 Müll.:artifices,
players, actors, Cic. Arch. 5, 10; Suet. Caes. 84:actores,
Quint. 6, 1, 26; 11, 3, 4: ludi, stage-plays, theatrical representations, in a gen. sense (opp. to games of wrestling, racing, etc.), Liv. 7, 2; 31, 4; 34, 54; Ter. Hec. prol. alt. 37; Suet. Calig. 26; id. Ner. 11; cf.operae (with gladiatoriae),
id. Aug. 43:fabula,
a drama, Amm. 28, 1, 4:organa,
Suet. Ner. 44:coronae,
id. ib. 53:habitus,
id. ib. 38:gestus,
Cic. de Or. 3, 59, 220:modulatio,
Quint. 11, 3, 57:venustas,
Cic. de Or. 3, 8, 30:decor quidam,
Quint. 2, 10, 13:dicacitas (with scurrilis),
id. 6, 3, 29:fortuna dubia, Ter. Hec. prol. alt. 8: adulteria,
represented on the stage, Ov. Tr. 2, 514.—In the neutr.:quin etiam, quod est inprimis frivolum ac scaenicum, verbum petant (declamatores), quo incipiant,
Quint. 10, 7, 21:nihil scaenicum apud Graecos pudori est,
Liv. 24, 24; cf., with a subject-clause:complodere manus scaenicum est et pectus caedere,
Quint. 11, 3, 123.—Substt.1.scaē-nĭcus, i, m., a player, actor, Cic. Off. 1, 31, 114:2. * II.orator plurimum aberit a scaenico (with comoedi),
Quint. 1, 11, 3; Suet. Ner. 42 fin. — Plur., Cic. Planc. 12, 30; id. Verr. 2, 3, 79, § 184; Quint. 11, 3, 158; Suet. Tib. 34; id. Ner. 11; 21 et saep.—As a term of reproach applied to Nero (on account of his passion for the stage), a stage-hero, Tac. A. 15, 59.—Transf. (opp. to real, true, actual), fictitious, pretended:populus Romanus, invictus a veris regibus, ab illo imaginario et scaenico rege (sc. Andrisco) superatur,
by that theatrical king, Flor. 2, 14, 4.—* Adv.: scaenĭcē, theatrically, after the manner of players:cum aliqua velut scaenice fiunt,
Quint. 6, 1, 38. -
6 psaltria
psaltrĭa, ae, f., = psaltria, a female player on the cithara, a lutist, Ter. Ad. 3, 3, 34; 51; 4, 7, 41 et saep.; Cic. Sest. 54, 116; id. Fragm. ap. Non. 465, 16; Juv. 6, 336; Aur. Vict. Epit. 76; Macr. S. 2, 1. -
7 sambucina
sambūcĭna, ae, f. [sambuca-cano], a female player on the sambuca (with fidicina, tibicina), Plaut. Stich. 2, 2, 57; cf. sambucistria. -
8 fidicina
fidicina ae, f [fidicen], a female lute-player, lyrist, harpist, T.* * * -
9 sambūcistria
sambūcistria ae, f, σαμβυκίστρια, a female harpist, L.* * *player (female) an the small harp/sambuca -
10 tībīcina
-
11 choraule
player (female) on reed pipes; flute player (L+S) -
12 cymbalistria
-
13 choraule
chŏraulē, ēs, f. [choraulê], a female flute-player, who accompanied with the flute the chorus dance, Inscr. Orell. 2610. -
14 cymbalistria
cymbălistrĭa, ae, f., = kumbalistria, a female cymbal-player, Petr. 22 fin.; Inscr. Orell. 2449 sq. -
15 stola
stŏla, ae, f., = stolê, a long upper garment.I.Orig., as with the Greeks, worn by any one: squalidā saeptus stolā, Enn. ap. Non. 537, 27 (Trag. v. 373 Vahl.); Ov. F. 6, 654: saeptus mendici stolā, Enn. ap. Non. 537, 28 (Trag. v. 372 Vahl.):II.lugubri stolā succincta,
id. ib. 198, 4 (Trag. v. 134 id.); so,muliebris,
Varr. ib. 537, 29 sq. —Later, with the Romans, in partic.,A.Lit., a long female upper garment, worn by the Roman matrons, and reaching from the neck to the ankles, a robe, gown, stole (cf. palla):B.vestimenta muliebria... veluti stolae, pallia, tunicae, etc.,
Dig. 34, 2, 23; cf.:vir fortis stolam indutus,
Sen. Vit. Beat. 13, 3:(Dianae) erat admodum amplum signum cum stolā,
Cic. Verr. 2, 4, 34, § 74:ad talos stola demissa,
Hor. S. 1, 2, 99; Ov. P. 3, 3, 52; cf. id. Tr. 2, 252; Mart. 3, 93, 4; 10, 5, 1; Auct. Priap. 12, 11:tamquam stolam dedisset, in matrimonio conlocavit,
Cic. Phil. 2, 18, 44.—Hence, also, of the dress of a voluptuary, Hor. S. 1, 2, 71;of a cithern-player,
Varr. R. R. 3, 13, 3; Ov. F. 6, 654;of the priests of Isis,
App. M. 11, p. 269, 5.—Transf., a noble woman, lady, dame, matron:III.hic eques, hic juvenum coetu stola mixta laborat,
Stat. S. 1, 2, 235; Plin. 33, 3, 12, § 140; Val. Max. 2, 1, 5. —In eccl. Lat., a royal robe, Vulg. 1 Par. 15, 27.—2.Of the Jewish priests, Vulg. 2 Macc. 3, 15.—3.A dress of ceremony, Vulg. Luc. 20, 46. -
16 tympanistria
tympănistrĭa, ae, f., = tumpanistria, a female drummer or player on the tambourine, Sid. Ep. 1, 2 fin.; Vulg. Psa. 67, 26; Inscr. Orell. 2451.
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